翻訳と辞書
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・ Live at the Machine Shop
・ Live at the Machine Shop!
・ Live at the Magic Bag
・ Live at the Mar Y Sol Festival '72
・ Live at the Marquee
・ Live at the Marquee (Dream Theater album)
・ Live at the Marquee (festival)
・ Live at the Marquee (Gary Moore album)
・ Live at the Marquee (Girl album)
・ Live at the Marquee (Jesus Jones album)
・ Live at the Marquee (King Crimson album)
・ Live at the Marquee (Osibisa album)
・ Live at the Marquee 1980
・ Live at the Marquee Nathan Carter
・ Live at the Masquerade
Live at the Matrix 1967
・ Live at the Matterhorn
・ Live at the Mauch Chunk Opera House
・ Live at the Meadowlands
・ Live at the Metro
・ Live at the Middle East (Mr. Lif)
・ Live at the Milky Way
・ Live at the Mineshaft Tavern
・ Live at the Mirage
・ Live at the Monterey Festival
・ Live at the Montreal Jazz Festival
・ Live at the Montreal Jazz Festival 1985
・ Live at The Moore
・ Live at the Murat
・ Live at The Music Gallery


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Live at the Matrix 1967 : ウィキペディア英語版
Live at the Matrix 1967


''Live at the Matrix 1967'' is a double live album by The Doors, compiled and resequenced from recordings made on March 7 and 10, 1967 at The Matrix in San Francisco by club co-owner Peter Abram. The recording is notable because it is one of the earliest live recordings of the band known to exist: The Doors had recorded only one album by March 1967, "Light My Fire" had yet to be released as a single, and they were still relatively unknown outside Southern California.
This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by The Doors.
== Recording equipment ==
On November 22, 2008, recording engineer Peter Abram revealed in an online posting the equipment he used to record The Doors at The Matrix. "''I used an Akai tape recorder (tubes), 4 Calrad mics on the stage and a Calrad mic mixer on the instrumental channel. On the vocal channel: a Knight mixer with 3 Electrovoice 676 and Shure mics. The Calrad mics that I used on the instrumental track were model DM-21''" said Abram.
The original master 1/4 track stereo tapes were recorded at 7.5 ips on Abram's Akai reel-to-reel vacuum tube tape recorder.

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